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Unwritten Rules is Issakha Dia's practical guide for immigrants navigating corporate Canada's hidden biases and codes, based on his 15-year journey from Senegalese immigrant to senior leader. It offers hard-won strategies for overcoming rejection and leveraging resilience to succeed.

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Unwritten Rules: Cracking Corporate Canada’s Hidden Codes is a gripping playbook from a Senegalese immigrant who landed in Montreal in 2010 with a suitcase of textbooks and a relentless spirit. Over 15 years, Issakha Dia transformed himself from an outsider into a senior leader in Canada, mastering audit, risk, and compliance across industries like manufacturing, finance, and governance. This isn’t a memoir of triumph—it’s a raw guide to decoding Canada’s subtle systems: the unspoken rules, the quiet slights, the ceilings you bend with grit.
From a dusty hometown’s 12-hour study days to coding in North African dorms, Dia forged tools—discipline, tech savvy, resilience—that cracked corporate Canada. He outworked rejections (50 “no’s” in seven months), doubled peers’ output at a rental firm, and battled Bay Street’s wolves to lead teams at global institutions. Now a citizen, husband, and father in a quiet Ontario community, he shares hard-earned lessons: wield your past, outpace doubt, turn “no” into fuel. For immigrants and climbers daring to claim their place, this is your hammer—forged in struggle, proven in rise.

Unwritten Rules: Cracking Corporate Canada’s Hidden Codes, par Issakha Dia

<p>In the African literary landscape of the past decade, politics has never been a matter of mere slogans. It seeps in—sometimes in full light, sometimes through contraband—into the folds of a love story or the silences of a fractured family. The second installment of our series on African political fiction reminds us that, for our writers, the political is first a matter of gazes, of bodies, of memories that refuse to be silenced.

Consider *The River of Lost Souls* by Hemley Boum: here, the Anglophone Cameroon war is not a backdrop but a presence that corrodes the most intimate bonds. Boum does not describe battles; she shows how a nation unravels through the fissures of a family. Politics, for her, is a matter of empty chairs, unsent letters, silences that weigh more than speeches.

In contrast, *The Shadow King* by Maaza Mengiste plunges into the Italo-Ethiopian resistance with poetic violence. But again, power is not only played out on the battlefield: it is negotiated in women’s gazes, in photographic archives, in the reinvention of memory. Mengiste reminds us that politics is also a war of narratives.

Closer to home, *The Patience of the Baobab* by Djaïli Amadou Amal explores the political through the lens of forced marriage in the Sahel. The book does not brandish a placard; it shows, with surgical precision, how power structures anchor themselves in female bodies. Each page is an act of silent resistance, a cartography of ordinary dominations.

What unites these works is their refusal to separate the political from the sensuous. They offer us not manifestos but lives. And it is in this novelistic density that the reader may find a sharper understanding of the mechanisms of power—its flashes and its shadows.

As the decade closes, one question lingers: how will African fiction continue to inhabit the political without being reduced to it? The next novels will tell, but one certainty already stands: politics, under the pen of our writers, has never been more alive, more complex, more necessary.</p>